193

Title: Conrad Schwiering (1916-1986), Tapestry of Time, 1962
Dimensions: 48 x 48
Framed Dimensions: 55 7/8 x 55 7/8 x 3/4
Signature: signed lower left: Schwiering (artist cipher) ©
verso: titled and dated

oil on panel
48 x 48

  • Provenance: From the Collection of The First National Bank of Rawlins, WY
    From a Private Collection
  • Literature: Robert Wakefield, Schwiering and the West, North Plains Press, 1973, illus. p. vii
  • Notes:

    Beloved Wyoming artist, Conrad Schwiering is best known for his captivating paintings of the Teton mountain range. Tapestry of Time was painted from the same vantage point as Ansel Adams’s iconic The Teton Range and Snake River, 20 years after. Commissioned by the Bank of Rawlins in 1962, Tapestry of Time’s vivid color is a dramatic counterpoint to Adams’s moody photograph, but both present an image of grandeur that has become an emblem of Grand Teton National Park.

    Schwiering played a crucial role in shaping the public's perception and appreciation of the Teton landscape through his visual representations. He is often mentioned alongside other notable painters, such as Harrison R. Crandall, who have captured the beauty of Grand Teton National Park. He had an uncanny ability to capture the ever-changing light and atmosphere of the landscape, a deep connection forged by plein air painting many hours a day, day in and day out, over the course of many decades. Still highly sought-after, the enduring appeal of Schwiering’s paintings speaks to their timeless quality and his ability to evoke the spirit of the Teton landscape.

    “Many people who paint mountains try so hard to get the anatomy, size, and shape of the mountains that they don’t think about what the mountains really stand for. A painting has got to be more than just a picture of a mountain. It’s got to have a message about how awesome and how powerful the mountain is. When I paint I try to convey that feeling, to make the viewer feel a little bit humble before the greatness of the mountains and the forces of nature.” 

    When asked if he ever got tired of painting the Tetons, Schwiering proclaimed, “No, how could I? In just a short time, you can see a thousand different moods. They’re always changing; every hour, every day, every season, every year…You have to live with these mountains every day to know and understand their moods. You have to be outside and feel them, smell them, and hear them. No, I never grow tired of the mountains…I think of them as my good friends.”

  • Condition: The painting appears to be in very good condition. The frame appears to be in good condition with some chip losses to the inner light colored frame edge and miter splits at both lower corners.

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September 14, 2024 12:00 PM MDT
Jackson, WY, US

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