228

Anna Hyatt Huntington (1876-1973), Kangaroo, 1951
Dimensions: 10 1/4 x 16 1/2 x 4 3/8
Framed/base Dimensions: no base
Signature: inscribed: Anna Huntington 1951
stamped: ROMAN BRONZEWKS INC

cast aluminum
10 1/4 x 16 1/2 x 4 3/8 in.

  • Provenance: Private Collection, Washington
    Pensler Galleries, Washington, D.C.
    From a Private Collection
  • Exhibited: Paul Manship and His Circle, Gerald Peters Gallery, New York, November 3 – December 15, 2006
    The Bronze Zoo: Anna Hyatt Huntington and Exotic Animals, Brookgreen Gardens, Murrells Inlet, SC, April – June, 2008
  • Notes:

    Anna Hyatt Huntington was an active sculptor for eighty-four years. At the age of thirteen, encouraged by her mother, an academic painter, and her father, a professor of paleontology and zoology, she began sculpting animals. After studying at the Art Student’s League in New York, the young artist worked in the studio of Gutzon Borglum modeling animals. Even before her studies in Paris, the sculptor won a medal at the 1904 Exposition in Saint Louis. While in France, she was a frequent contributor to the Salons and was awarded several commissions for monumental works in the United States. Huntington exhibited works at the Panama Pacific Exposition in San Francisco in 1915. With her marriage to Archer Huntington in 1923, she became a patron of the arts while still working as one of America’s most renowned sculptors.

    Anna was a contemporary of American sculptor Paul Manship - particularly known for his large public commissions created in a mythological classical style. Manship was a major force in the Art Deco movement. Both Huntington and Manship were extremely successful in the early years of their careers, with invitations to international expositions, the winning of large commissions and well received commercial exhibitions. Both kept studios in Paris yet were drawn to Cape Ann in the summers (the Hyatts had a family summer house where Manship first visited her in 1915 and he returned to the area frequently before buying property in the 1940s). Both artists were active members of the American Academy, the National Sculpture Society and the National Academy of Design. A shared affinity for sculpting animals and a frustration with the critical approval of abstraction in the post-war era bonded these two artists. Further evidence of their mutual respect can be found at Brookgreen Garden, the first public sculpture garden in the United States founded by the Huntington’s in 1931, which has purchased and exhibited many of the major outdoor works by Paul Manship since the 1930s.

    Aluminum was a favored medium for Anna Hyatt Huntington as it was sturdy (could be used for large scale outdoor works), lightweight for shipping, less expensive to cast and versatile enough to model animals in motion. The sculptor employed the color and texture of the material to produce a more playful and modern image – one less rigorously aligned to the tradition of the dark brown bronzes of the French 19th century animalier sculptors.

  • Condition: The aluminum sculpture appears to be in very good condition.

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